| | | | | | | | | 2020/09/07 12:20:34 プライベート♪ | | | Do you try and buy the original products themselves | |
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But with mass produced items high quality should not beas expensive as hand-made artisan creations. You get the same chair. Eames style ‘knock-offs’ go for about £70-£90. Who can afford that? Do you think that’s areasonable amount to pay for plastic chairs? The online price for licensedEames chairs is £300 and upwards. So, if you had any qualms about putting anymore money China’s way for reproduction eames chairs then hopefully this will haveput your mind at ease. Ask yourself “Am I a tragic brand wally, or would I justlike an Gaming Chairs with speaker system Company attractive chair or two?”
Do you try and buy the original products themselves? The auctionhouses of Sotheby’s and Christie's tend to be a little steep for most people andthere is definitely a limit in terms of availability, so what do you do? Youbuy repro. Tenaciously clingingto the corporate licensing mantra or allowing oneself to be browbeaten intopaying unreasonable amounts of money for a small badge, only serves to wildlyenrich the manufacturer and stymie the innovation that might result in acheaper, better, and longer lasting products. Most of these designs werenever meant for the elite but at the prices licensed products are sold for, whoelse could afford them now? Thirty years ago, a school cafeteria could be fullof Eames chairs; that was the point, they were utilitarian. “Thebest for the most for the least” said Charles Eames.
Theyhave Developed and refined techniques until today we have a massive marketoffering a variety of furniture styles and quality range. High qualitymanufactures, perhaps. Are you that shallow? Didn’t you growout of that when you left school and stopped needing the ‘right trainers’? Areyou, in fact, a bit of a poseur? Is there not something a bit repugnant about acompany making obscene profits with a design they purchased the rights to? Theyare not the designers. Only thenames are. When you’re after traditional furniture, do youseek out the descendant companies of the original 17th, 18th, or 19th centurycabinetmakers? Good luck finding Chippendale and Gillows’ (Actually Gillows’was swallowed by Allied carpets, why not try one of their lively patternedproducts?). As noted earlier, furniture design andmanufacture is not copyright, and for good reason.Eames Chairs - Real or Repro?
You can pay three hundred pounds or you can pay seventypounds. For centuries,cabinetmakers, and furniture fabricators have copied each other's designs,incrementally and sometimes radically changing them for better or for worse. How important is the badge and what does iteven mean sixty-five years down the line? ‘Authentic’ modernist furniture designs often come with an exclusiveprice tag that completely undermines the designers’ original intention ofmaking good quality designs available to all. That is a rip-off. If the chairs themselves are no different, youare being asked to pay £200 for a badge. Furniture designs themselves are not subject to copyright. It is possible to get around thisproblem by investing in reproduction products that will get you the samequality at a quarter of the price demanded by the firms that hold the officiallicence. Now a set of fourdining chairs might cost £1200. They are merely the manufacturers
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